Tag: The Chemical Brothers

  • Bob James – Take me to the Mardi Gras

    Last week I discussed The Power (1990) by Snap!. Among others it samples The King of Beats (1988) by Mantronix. Silly, cause the whole track by Mantronix is a collection of various (now famous and over-used) samples such as (among others) Kool & the Gang’s Jungle Jazz (1975), the Amen-break and Pleasure’s Celebrate the Good Things (1978).

    But what Snap! could’ve sampled directly themselves was the now-legendary bells and drums from the intro of Take me to the Mardi Gras (1975) by Bob James. That’s where Mantronix got it. In fact, a whole lot more people got it from there. The list on WhoSampled.com for the song is insanely long, just like the other Bob James-songs I’ve mentioned. I won’t discuss them all, just lift out a few.

    The first time it was sampled was by the Crash Crew in 1982 in Breaking Bells (Take me to the Mardi Gras). After that it laid dormant for a year, was sample again in 1984, but since 1986 it has been almost sampled non-stop. The track that kicked off the trend was probably Run DMC’s Peter Piper from 1986. The Beastie Boys were subtle about it in 1986 and used only the drum-break not the bells in Hold it now, Hit it.

    After hiphop used it to death, it started popping up in popular music too. In the same year as Snap! used it (1990), it also popped up in Caron Wheeler’s Living in the Light. While PM Dawn’s 1991 hit Set a Drift on Memory Bliss heavily on True (1983) by Spandau Ballet, it also uses the Mardi Gras bells. TLC’s Ain’t 2 Proud 2 Beg from 1992 too.

    Perhaps the most sneaky use of the sample is by the Chemical Brothers in Dig your Own Hole (1997). Put the intro of the song in reverse and what do you hear? The Mardi Gras bells sped up and in reverse.

    Missy Elliot released the song Work It in 2002 and at the end we find what’s almost an homage to classic hiphop: the Mardi Gras bells. Interestingly Missy Elliot’s vocals also feature earlier on a song that leaned heavily on the Mardi Gras bells: That Thing You Do by Gina Thompson from 1996.

    A more recent example from 2008 is the song Carry Out by Timbaland (featuring Justin Timberlake). The catch in this song however is that the bells were pitched up to a point where they’re almost unrecognisable. You almost wonder why it was sampled at all.

  • Bernard Purdie

    Last week I talked about Bernard Purdie’s song Soul Drums from 1968 which got sampled in Devil’s Haircut . The same track also got sampled in a Christmas track by Mansfield, entitled 2010.12.25 from 2000. Bernard Purdie is a session drummer who performed with people like James Brown, Aretha Franklin, BB King, Dizzy Gillespie, Miles Davis and Joe Cocker.

    Sampled drum breaks from Bernard Purdie songs are also in popular demand. The block rockin’ beats in Block Rockin’ Beats (1997) by the Chemical Brothers came from Purdie’s Changes from 1972. Interestingly the song was sampled before by Zhigge in Rakin’in the Dough (1992), but it used a bassloop. Changes itself is a cover of Them Changes (1970) by Buddy Miles.

    The Prodigy’s 3 Kilos (1994) samples Good Livin’ (Good Lovin’) (1972). The song 3 Kilos is on the album Music for the Jilted Generation. On the same album is Poison which contains a bunch of drum samples, one of them being Bernard Purdie’s Heavy Soul Singer (1972). The same sample can be heard faintly in the back ground on Massive Attack’s Mezzanine (1998).

    I mentioned Beck already, but his album Odelay contains another track, Hotwax, that samples Song for Aretha (1971) also by Bernard Purdie. Pepe Deluxe used the same sample in Lying Peacefully (2003).

    To top it off, Bernard Purdie himself ‘sampled’ too. His 1971 track Funky Mozart borrows the basics from Symphony #40 in G Minor by Mozart from 1788. That’s some old funky stuff.

    My personal favourite that contains a Purdie sample? Block Rockin’ Beats obviously:

  • The Roof Is On Fire

    Usually a famous sample gets used over and over again by a range of artists, but occasionally, multiple samples from the same track find their way into very different tracks by other people. Take Rock Master Scott & The Dynamic Three’s classic hip hop track from 1984: The Roof is on Fire.

    If I say “the roof is on fire” you’ll either chant along with the original, sing the mopey version in Fire Water Burn by the Bloodhound Gang from 1997, bounce to the 1998 song “Follow the Leader” by the Soca Boys, remember you danced to the 1989 dance track The roof is on fire by Westbam (which features a ton of other samples too), you may have headbanged to Sway by Coal Chamber from 1997 or if you’re really hardcore you remember Atari Teenage Riot using the lyrics in their 1999 track Anarchy 999. That or you heard the lines “the roof is on fire, we don’t need the water, let the motherfucker burn” in any other song that the Wiki article on the song mentions.

    And that’s kinda ironic, since The Roof Is On Fire was actually the B-side of the single that was intended as a hit song: Request Line. You may recognise the intro to that track as the same as that to Missy Elliot’s Work It from 2002. Somehow the simple but effective lyrics of the B-side found its way into pop culture and became just as standard for MC’s as “put your hands up for Detroit“.

    Even more ironic is the odd’s you will know yet another sample from The Roof is on Fire even though it completely ignores the famous lyrics involving lack of a fire department. Hey Girl Hey Boy by the Chemical Brothers from 1999 directly samples the opening of this original version of The Roof is on Fire.
    So hey girls and hey boys, we don’t need no water despite that The Roof is on Fire: