Tag: samples

  • Pearl Jam – Alive

    In this week’s Origin of Samples-post a classic case of who’s stealing from who. In 1991 a relatively unknown Seattle band Pearl Jam released an album entitled ‘Ten‘. One track from that album would go on to be one of the anthems of its generation at the explosion of the grunge hype: ‘Alive‘.

    Only a year later, on a proverbial attic, some guys got together and made hardcore gabber under the name Neophyte. Eventually a rock guitarist named Jarno Butter (whom I’ve shared some classes with in highschool, but that is a different story) joined their ranks to play with them during live sets. They released many tracks that gained international fame in an underground scene. One of the tracks, released in 1996 under their happy hardcore artist name Bodylotion, was entitled Always Harcore. Although in entirely different genre and not directly sampled from the original, it’s clear the vocal melody from Always Harcore comes directly from Alive.

    It’s not uncommon in the hardcore gabber scene to use tons of samples from other music and film quotes (especially if they contain the word ‘fuck’). What isn’t very common however to sample from their own ranks. And that’s basically what German Europop-band Scooter did in 2004 when they ripped the chorus from Always Hardcore and crammed it into their own hit single One (Always Hardcore). Even though pretty much every Scooter song is based on another song, you can still wonder if they knew the original original.

    To what extent Neophyte stole/were inspired by Pearl Jam and Scooter stole/were inspired by Neophyte or Pearl Jam, I leave you to judge. Here’s the original Alive:

  • Led Zeppelin – When the Levee Breaks

    There’s a number of drum samples that are have become the grand daddy’s of entire genres and have been extensively used in hiphop, dance and such. I could talk about the Amen break, but luckily there’s an excellent documentary on that. There’s a more peculiar history surrounding the drum loop from Led Zeppelin’s When the Levee Breaks. Or more specifically, an old blues song called When the Levee Breaks.

    In 1927 the levee did break and cause the Great Mississippi Flood. Two years after, Kansas Joe McCoy and Memphis Minnie wrote, performed and recorded a song entitled When the Levee Breaks. The lyrics deal with losing everything in the flood and having to move from South to the North (Chicago), thus also exporting many blues musicians and blues lovers there.

    More than 40 years later in 1971, Led Zeppelin dusts off the original and makes their own reworked cover version, in essence ‘sampling’ it and making it into something new. On drums as always is legendary drummer John Bonham. The track opens with just a few seconds of his drums.

    The fact that it’s just the drums however makes it ideal for sampling and when sampling takes a rise starting in the late 80’s Bonham’s drums end up on many, many records. Not just whole but cut up as a breakbeat as well. Just to name a few where the drum loop is intact: Eminem’s Kim, Coldcut & Steinski’s Beats & Pieces and Enigma’s Gravity of Love.

    The ultimate bit of irony is that while all the music I linked above is on YouTube, the YouTube video containing the original 1929 version of When the Levee Breaks has been pulled due to copyright claims by Sony, despite it being way pas it copyright date. So for now, here’s the sampled ‘original’ by Led Zeppelin:

  • David Bowie – Crystal Japan

    David Bowie’s instrumental track Crystal Japan has a rather odd history of how it slipped into the public attention. When it was written and recorded in 1979 and still had the title Fuje Moto San, it was intended for the album Scary Monsters, but was discarded. Instead it was used in a Japanese commercial for the sake Crystal Jun Rock which also featured Bowie himself.  As a result, the track was released as a single in Japan and mostly forgotten about afterwards.

    Then in 1994, Nine Inch Nails’ ground-breaking album The Downward Spiral comes out. On it is a beautifully haunting instrumental track titled A Warm Place. The main keyboard motive isn’t just similar (as Wikipedia puts it), it’s identical to parts of Crystal Japan. And even though it’s not a direct sample from the original track, it’s clear where the melody came from.

    So is this blatant stealing? No, it turns out, Trent Reznor (the man behind NIN) is quite the David Bowie fan. So much that he doesn’t just sample Bowie’s voice for a remix of that album (at 4:29), Bowie and Reznor were working together on multiple projects. Nine Inch Nails goes on tour with David Bowie. There’s multiple tracks floating on the web of Bowie and Reznor playing songs of both Bowie and NIN together live. Reznor remixed the track I’m afraid of Americans. Ironically for the video, Reznor plays a creepy stalker who follows Bowie. To top  it off in 1997 Reznor puts a track of Bowie on the soundtrack of the 1997 film Lynch film Lost Highway. If you want to know more about the influence and their views on how everything’s connected there’s a 4-part interview with Bowie and Reznor on YouTube that starts here.

    David Bowie’s Crystal Japan can be heard here:

  • Isaac Hayes – Ike’s Rap II

    It’s fairly common that the same song gets sampled and used by multiple artists, but there’s one example in which this led to a bit of controversy. To today’s generation Isaac Hayes is best known as Chef from Southpark, but right up to his death in 2008 he was also an accomplished musician. One of the songs on his double album Black Moses is Ike’s Rap II.

    In 1995 two artists from the same genre released nearly identical songs using the exact same sample: Portishead – Glory Box and Tricky – Hell is around the corner. Other people used the same sample, but the connections between these tracks are numerous. Geoff Barrow, who founded Portishead, worked at the same studio’s Massive Attack recorded. Tricky in turn collaborated a lot with Massive Attack in the early days. And all three were part of the ‘Bristol scene’.

    While it’s been suggested that both artists coincidentally used the same sample, I refuse to believe it was merely a coincidence. If you listen to the original, it’s hard to make out exactly where the sample was lifted from and if both had been sampling the same track they could’ve used any part of the song, yet both used exactly the same bit. While Tricky’s track was released earlier, Glory Box had been written first. Undoubtedly there’s been some sharing (or stealing?) of samples, but both artists seem content on letting it be.

    Here’s the original track:

    And while Tricky’s track was released earlier, Glory Box had been written first.

  • Ray Brown Orchestra – Go down dying

    An interesting story surrounds the soundtrack of the otherwise rightfully forgotten film The Adventurers (1970). The music for the soundtrack is by Antonio Carlos Jobim and is arranged and conducted by Eumir Deodato (remember this name!).  In the same year famous producer/composer  Quincy Jones decided to re-score the whole thing and produced his own funked up version of the album. It was recorded by  the Ray Brown Orchestra, featuring Tom Scott and … Eumir Deodato. On that album is the the track Go Down Dying, which you can hear in the YouTube clip below. You’ll instantly recognise the intro as the main theme from Björk’s 1993 track Human Behaviour. Even though apparently there was some initial fuss about the usage of the sample, things seem to have been straightened out fine. Cause guess who ended up remixing the Björk song Isobel from her next album and did most of the orchestral arrangements for the album she did after that; Homogenic ? Yep: Eumir Deodato. Coincidentally the songs Human Behaviour, Isobel and Bachelorette (from Homogenic) are part of a trilogy of songs spanned over three albums. In a way Eumir Deodato has contributed to all three songs.

    Enjoy the original Go Down Dying:

  • Labi Siffre – I Got The

    Some great songs lean on samples of even better songs. One example is Labi Siffre’s I got the (blues). It’s a great summer night soul song, you can put on and hang back. Until about halfway through the song there’s a small break and something familiar starts up. And then you realise you’re listening to Eminem’s Hi… my name is .